COSMIC PUTREFACTION - Crepuscular Dirge For The Blessed Ones - LP
- Label : Profound Lore
- Availability: In Stock
- 24.00 €
On “Crepuscular Dirge For The Blessed Ones”, sole mastermind Gabriele
Garmaglia continues the COSMIC PUTREFACTION narrative begun on the
previous album “The Horizons Towards Which Splendour Withers”, where the
only survivor from an apocalyptic annihilation of a dying planet walks
towards its withered horizons. On “Crepuscular Dirge…” this character
ultimately finds an even more sorrowful truth at the end of his journey;
one that shows the empyrean fall of man through the metaphysical world
and the gods whom inhabit it.
Through “Crepuscular Dirge For The Blessed Ones”, Gramaglia establishes
even more his own vision of death metal, this time enriching his
multifaceted sound with widened atmospheres and a patina of omnipresent
melancholy suggested by distant arpeggios, e-bow guitars and sometimes
even synths organically blended with the relentless, ferocious riffs
always present in this new effort. To cap off this layered effort,
Gramaglia this time relied on drummer Giulio Galati (Nero di Marte,
Hideous Divinity) to deliver an extremely powerful and dynamic
performance behind the kit.
COSMIC PUTREFACTION was formed in 2018 as the death metal sonic incarnation of the multi-instrumentalist
Gabriele Gramaglia (also behind The Clearing Path and part of Turris
Eburnea and Vertebra Atlantis), which summoned the aforementioned
musical entity to re-arrange and complete the unreleased album of his
first band Oaken/Throne, which begun in 2012 but was left uncompleted
because the combo disbanded. This album was completed and released in
2019 under the name of “At the Threshold of the Greatest Chasm”, which
comprehended six-and-a-half tracks taken from the unreleased
Oaken/Throne album. He later refined his formula through the second
album “The Horizons Towards Which Splendour Withers” which expanded the
death metal roots with the multifaceted range of influences Gramaglia
has developed throughout the years.